Lecture 4 - Chinese Opera in Australia - Not Just Chinese


Operatic forms have a long history of development in Chinese culture with sources dating from at least the Tang Dynasty. Known poetically as the artform of the 'Pear Garden' (Liyuan 梨园), this musical tradition continues to hold relevance and meaning to the overseas Chinese and was mostly likely the first performative artform to arrive in Australia. In their very first collaborative project, Dr Michael Williams and Dr Nicholas Ng discuss nineteenth and mid-to-late twentieth century Chinese opera in Australia as examples of migrant diversity and identity. Their research engages with the origins of the genre in the examination of regional, cultural and linguistic forms, the meaning of opera in a migrant context, and the experience of diversity within a much larger fluid construct of "Chineseness".


Seminar Series

  • From Family Story to Australia's Story: Tim Watts MP in Conversation with Stephen FitzGerald AO [Watch online (opens in a new window)]
  • The 1912 "Chinese Revolution at Atherton" by Professor Darryl Low Choy  [Watch online (opens in a new window)]
  • The Chinese Youth League in Australia from Its Inception until the Liberation of China in 1949 by Dr Drew Cottle [Watch online (opens in a new window)]
  • Chinese Opera in Australia - Not Just Chinese [Watch online (opens in a new window)]